JOURNAL
Exhibition special feature#03 Ryozumi -I want t...
It is an introduction of lacquer artist, Mutsu Mutsu. . . .
Exhibition special feature#03 Ryozumi -I want t...
It is an introduction of lacquer artist, Mutsu Mutsu. . . .
Exhibition Special#02 Saku Koizumi ー Explore la...
It is an introduction of Takumi Koizumi, a lacquer artist who will be exhibited at the exhibition "Manufacturing that leads to the future". . . .
Exhibition Special#02 Saku Koizumi ー Explore la...
It is an introduction of Takumi Koizumi, a lacquer artist who will be exhibited at the exhibition "Manufacturing that leads to the future". . . .
Exhibition special feature#01 Suzu kiln -Incorp...
We will exhibit at the exhibition "Manufacturing that will lead to the future"Suzu kiln "It is an introduction. . . .
Exhibition special feature#01 Suzu kiln -Incorp...
We will exhibit at the exhibition "Manufacturing that will lead to the future"Suzu kiln "It is an introduction. . . .
Named vessel created by Suzu -yaki # Mutsumi Ya...
Suzu -yaki is a pottery made in Suzu, Noto Peninsula, Ishikawa Prefecture.14It is said that the century flourished enough to spread into a quarter of the Japanese archipelago. . ....
Named vessel created by Suzu -yaki # Mutsumi Ya...
Suzu -yaki is a pottery made in Suzu, Noto Peninsula, Ishikawa Prefecture.14It is said that the century flourished enough to spread into a quarter of the Japanese archipelago. . ....
Another charm hidden in a coral blue bowl #Amik...
What do you imagine when you hear "Okinawa"? . . .
Another charm hidden in a coral blue bowl #Amik...
What do you imagine when you hear "Okinawa"? . . .
Modern Arita ware that blends into a lifestyle ...
When you hear Arita ware, some people may have the impression that it is difficult to incorporate into the usual table coordination with a classic design. . . .
Modern Arita ware that blends into a lifestyle ...
When you hear Arita ware, some people may have the impression that it is difficult to incorporate into the usual table coordination with a classic design. . . .